Tampa Bay Coalition
Posts this Newsletter in Support and on Behalf of;
 
Commercial Closet
 
 

COMMERCIAL CLOSET NEWSLETTER - September 3, 2002
Bringing Social Conscience to Advertising Through Education.


********************************************************************************

LATEST ON COMMERCIALCLOSET.ORG

1. PROJECT UPDATE from Mike Wilke

2. FEATURED ADS: Salon Selectives  (Canada), Bissell (U.S.), Uncle Ben's (U.S.), Budget Rent A Car (U.S.)

3. POLL: What kind of ads should companies use in gay media? . . .

4. REPORT: Coors Campaign Reframes Longstanding Issues


********************************************************************************

1. PROJECT UPDATE

Commercial Closet is reaching educators and students! This October, Prentice Hall/Pearson Education will be publishing a college marketing textbook, "Advertising Principles & Practice" by William Wells that will include a section about gay marketing that references Commercial Closet and includes a screen shot of the web archive. This will be read by students (and future advertising and marketing executives) for years to come!

And the GLSEN Student Viewing Guide, an in-depth PDF file analysis of some of Commercial Closet's gay youth representation in ads, was introduced in February for high school teachers and has been downloaded over 550 times from the GLSEN site. (See more at
http://www.glsen.org/templates/resources/record.html?section=16&record=1168)

Industry web site AdForum.com has partnered with Commercial Closet to distribute the CC column, reaching tens of thousands of ad executives monthly. (See it at
http://ww0.adforum.com/news/news_cc_latest.asp )

Enjoy!

Mike Wilke
Executive Director


********************************************************************************


2. NEW ADS

- Salon Selectives "Chauncey" (J. Walter Thompson)
What happens when you make a hair stylist a mechanic? This Canadian ad for hair care products suggests an answer.
http://www.commercialcloset.org/cgi-bin/iowa/portrayals.html?record=913

- Bissell "Neatnik Biker" (Campbell Ewald)
These bikers may look tough, but they sit around their club arranging flowers, drinking smoothies and needlepointing. No stereotypes for this vacuum cleaner ad!
http://www.commercialcloset.org/cgi-bin/iowa/portrayals.html?record=912

- Uncle Ben's "Detained" (DMB&B)
Soap operas have always been melodramatic but this parody for a frozen food ad includes a storyline that could inspire the real thing.
http://www.commercialcloset.org/cgi-bin/iowa/portrayals.html?record=880

- Budget Rent A Car "Disco" (Cliff Freeman)
Does disco, skating and gays have something in common? These Budget Truck movers on wheels are not what you'd expect.
http://www.commercialcloset.org/cgi-bin/iowa/portrayals.html?record=911


********************************************************************************

3. POLL (Sponsored by Subaru)

What kind of ads should companies use in gay media?
-Mainstream, even with straight couples.
-Mainstream without straight couples.
-Gay-specific messages.
-Mix them up.

PREVIOUS POLL:
When ads in gay magazines picture shirtless men, I find the ad:
Predictable/boring - 34%
Sexy/memorable - 48.8%
Offensive - 3.1%
Neutral - 14%
TOTAL 1524 (Aug. 1 - Aug. 26)

(Cast your vote on the CommercialCloset.org home page!)


********************************************************************************

4. REPORT

Coors Campaign Reframes Longstanding Issues
By Michael Wilke
August 27, 2002

While the age-old gay boycott against Coors Brewing Co. lives on for some, others aren't sure if the brand should still be avoided. A new print campaign from Coors attempts once again to turn the conversation to its gay-positive policies.

Titled "Real History," the ad features a triangle with a list of the company's gay rights accomplishments including: adopting an inclusive non-discrimination policy in 1978, adding same-sex partner health benefits in 1995 and other milestones. Another ad to appear in January will feature six openly gay employees.

The educational effort will be informally tracked by word-of-mouth, with hopes to grow the brand's estimated tiny 2%-3% share in the gay market's competitive beer category.

The brewer has been working hard to turn things around for years. Coors' first gay market effort began in 1997, with an ad that similarly touted its gay employee benefits called "Perception isn't always reality" and it soon sponsored gay events too. In 2000 a slightly controversial ad referenced Grant Wood's 1930 iconic painting "American Gothic" but featured two contemporary gay men, and in 2001 another starred openly gay Olympic swimmer Bruce Hayes.

Mary Cheney, the daughter of vice president Dick Cheney, previously served as the gay community liaison from 1994-2000, and now Rafael Fantauzzi fills the role. Fantauzzi arrived in January after 10 years of managing Hispanic community relations for American Airlines. He is part of a staff of 11 dedicated to serving Hispanic, African-American, Asian, women, Native American and Jewish concerns. Fantauzzi and Scott Coors, the openly gay son of Coors' vice-chairman, have begun to try to reframe the issues.

Some Activists Continue to Urge Decades-Old Boycott

The roots of Coors' robust community relations department grew out of a broader Coors boycott that goes back to the early 1970s, when unions first organized their own boycott and charged the brewer with racism, sexism and homophobia -- including lie-detector tests asking if employees were homosexual. Following the 1960 murder of Adolph Coors III, polygraph tests were conducted by a security firm in the 1970s and '80 but Coors spokesman Kevin Caulfield says sexuality questions were never asked, calling them an "absolutely false" myth.

. . . COLUMN CONTINUED AT THE WEB SITE
http://www.commercialcloset.org/cgi-bin/iowa/index.html?page=column


********************************************************************************

COMMERCIAL CLOSET MISSION STATEMENT
Advertising can change more than just brand preferences -- it can change how we think about each other. Commercial Closet seeks to bring dignity to how the lesbian, gay, bisexual and transgender community is represented in the most powerful medium of our time. The project is a unique, non-profit education and journalism organization that proactively reaches out to marketers, ad agencies, the media and world-at-large to educate about portrayals of the gay community in mainstream advertising worldwide, leveraging an online collection of over 1,000 ads, a traveling video lecture, a syndicated ad column, and public relations.
Exec. Director:
mike.wilke@commercialcloset.org

********************************************************************************
Close Window to Return to TBC Web Site